The family drama combined with the on-the-run narrative is underscored by this discovery of an alien weapon that doesn't necessarily factor into the plot as much as one might initially think, but as Jimmy's lies and betrayal grow bigger and more hurtful the aliens chasing after their weapon and therefore after Eli grow closer and seemingly angrier making the inevitable climax impossible to fumble. This arc for Jimmy naturally provokes development in Eli as well given both are harboring secrets from one another.
The two meet Zoë Kravitz's Milly along the way, her presence only guiding Jimmy in the difficult, but right direction he must come to terms with. Reynor's Jimmy is a stupid character and about as grown as Eli, but it becomes the two of them on the run together away from Quaid's welcome surprise of a turn in which he feels more raw forcing Jimmy to mature. At the outset, Jimmy is released and quickly finds himself in trouble with a local arms dealer (James Franco). Myles Truitt's Elijah has been adopted into the Solinski clan, but whose present situation sees him being raised by Dennis Quaid's Hal as Hal's wife has passed and Eli's older brother, Jimmy (Jack Reynor), has been in prison for six years.
In terms of the viewing experience this can be boiled down to caring about the characters more than we do the adventure they go on. How does a film possess so much style and charm, but feel as if it accomplishes very little? This is kind of the crux of the issue with Jonathan and Josh Baker's feature directorial debut, "KIN", as the aesthetic of it all is in line precisely with what it seems the brother directing duo were going for whereas the narrative weight is lost somewhere between the multiple genres it's melding together.
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